By and large, the albums that come out during a given year are just fine. There are a few good songs, a few mediocre ones and some filler. Most of the time, the albums all follow a familiar formula. Rivers of Nihil is turning out to be one of those bands for whom the standard is unacceptable. Each one of their four albums has seemingly upped the game from its predecessor. In a world of typical and uninspired releases, The Work feels like an important piece of art.
Rivers of Nihil began life as an extremely talented technical death metal outfit. They managed to turn the metal world on its collective ear when they released Where Owls Know My Name in 2018 simply for the progressive metal left turn it marked for the band. They added clean vocals, they brought in a saxophone player and they simply changed up their sound into something quite magical and unique. The Work continues to build on the framework laid down on Owls and simply takes it to further unexplored sonic territories. Hell, while listening to it I kept thinking to myself that we are witnessing the birth of the death metal Pink Floyd. Seriously. I say that with zero hyperbole. This is a band to be reckoned with not only in the death metal world or the metal world at large, but they should be held in the highest esteem in the general music world. These guys’ forward vision and willingness to takes risks puts them squarely in vanguard of bands at the forefront of metal.
You should be proud of this one, Rivers of Nihil. It is a fucking masterpiece.
5 enthusiastic flip flops out of 5